Großer Henkelkrug/Kanne, Designobjekt von Marianne Starck 2024 für die dänische Keramikmanufaktur Michael Andersen und Sohn/Bornholm
Designobjekt von Marianne 2024 Starck für die dänische Keramikmanufaktur Michael Andersen und Sohn/Bornholm:
Großer Henkelkrug/Kanne
Höhe 35 cm (13.77 inch), Firmenmarke, Monogr. „MS“, Nr. 6077, noch mit dem originalen Firmenetikett!
Der Boden mit Firmenstempel gemarkt, dazu Monogramm „MS“ für Marianne Starck und Modellnummer „6077“.
Entwurf/Design: Marianne Starck für Michael Andersen & Sohn, Bornholm, Dänemark. Um 1960. Heller Scherben in dickwandiger Ausführung, in sog. „Persischer Technik“, d. h. Mosaik-/Craquelee-Glasur.
In wirklich schöner Erhaltung. Keine Beschädigungen.
(Engl.: Ceramic designed by Marianne Starck for Michael Andersen and Son, Bornholm, Denmark. Persian cracelée glaze. Incised triangle fish mark, artist initials MS. With original label.)
Für eine sorgfältige Verpackung garantiere ich. Von Privat unter Ausschluß jeglicher Gewährleistung. Ausdrücklich zugesichert wird jedoch die Echtheit und Erhaltung der Keramik! Guaranteed: Original old ceramic from Marianne Starck by Michael Andersen, Bornholm. Very good condition; no damages. Very safe packing will be guaranteed!
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Michael Andersen Denmark – Marianne Starck & The Persia Glaze
While the award winning and amazing “Persia” glaze at Michael Andersen & Sons was developed in the 1930s by Daniel Andersen (1885-1959) and used on pieces from that date, I think it is the designs of Marianne Starck at MAS & Sons in the 1950s and 1960s where the Persia glaze is seen at its best.
This complex glaze turns out differently on each piece, depending on the glaze colourants used and style of decoration. Sometimes it appears like a pearlescent multi coloured micro-mosaic, and at other times as a more subtle pattern decoration with grey pearlescent hues. Often the pieces using this glaze have beautiful but subtle oxidisation of the glaze, giving some of the colours a slightly metallic appearance – especially noticeable on the red colour of the Viking longboat in the first image below.
The glaze is also surprisingly smooth and silky to the touch. The Persia glaze was used on all types of forms – from utilitarian pieces to sculptural forms.